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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。19世纪30年代的上海滩，侦探郑皓东受共事多年的同乡律师周海平之邀，找寻富商林振江死后下落不明的遗产。遗产继承人林惠芸是林振江20多年未见的女儿，周海平费尽周折找到了她，将她从天津请到上海。但是，遗嘱上的受益人并非只有林惠芸一人，还有林振江最后一任私人医生高立文，以及律师周海平。众人驱车前往林振江郊外的公馆，当天郑皓东基本确定了林振江隐藏遗产的位置，当晚周海平也公布了林振江的最后遗嘱。看似这桩简单的遗产案即将结案，然而，一觉醒来，林宅在郑皓东的眼皮底下消失了。。影片讲述了二十世纪八十年代，内蒙古老牛堡村村民翻修房屋时发现一枚印章。大学生柱子携带印章前往县委途中，偶遇从台湾归来的郑大山，郑大山的回忆揭开了抗战时期袁晨光等地下党员为保护该印章与日军斗争牺牲的往事。。