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离开30年后，布莱克医生（Craig McLachlan饰）回到故乡，接管亡父的诊所，随之而来的还有父亲警局顾问的职责。淘金热过后的1959年，澳洲熏天财富已消散，在繁华依旧的表象之下，隐藏了欺骗和谋杀。布莱克医生一边重新适应家乡生活，一边开始协助警局破解迷案。。甄灿灿车祸致下身残疾，丈夫夏炎为寻神医为其治病，请医院工作的青梅竹马陆茶照料。岂料陆茶嫉妒甄灿灿、欲取而代之，不仅虐待她，还设计谋杀。夏炎追查真相，找到陆茶虐待证据，救下妻子，陆茶终被绳之以法，二人后续幸福生活。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。