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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。记录片《1937·南京记忆》共分5集，每集50分钟，将立足于对南京大屠杀的时代反思，通过华裔美国女作家张纯如、美国导演比尔·古登泰格、 侵华日军南京大屠杀遇难同胞纪念馆馆长朱成山、旅日华人导演李缨、日本友人松冈环和中国社科院近代史所原所长步平6个主要人物的视角，讲述他们追踪南京大屠杀历史真相的过程中所发生的故事，以及由此给他们带来的命运变迁。。高中女孩嘉碧杜兰一直以来都生活在事业有成的母亲和古灵精怪的妹妹的阴影中，直到她误打误撞地成为了一大群千奇百怪的跟随父母移民地球的外星熊孩子们的保姆。这些外星宝贝们各显神通却淘气胡闹，嘉碧在努力维护他们在人类社会中的伪装的同时不知不觉成为了整个银河系最厉害的星际保姆。。